Category: Magazines

Viola Davis Knows What’s Wrong With Hollywood… and How to Fix It

Viola is featured on the newest issue of Variety magazine. She talks about her new film Widows that is premiering at the Toronto Film Festival, the Hollywood Pay Gap, and other issues that she has faced in Hollywood.

It was a familiar dilemma for Viola Davis. What to do with her hair?

The star of the upcoming film “Widows” needed to know what kind of wig or extensions she should wear to play Veronica Rawlins, the leader of an unlikely band of robbers scrambling to pull off a dangerous heist. Director Steve McQueen’s answer shocked the Emmy-, Tony- and Oscar-winning actress.

“I said, ‘Your own hair is beautiful — just wear it that way,’” recalls McQueen. “Veronica is a wash-and-go kind of girl.”

For Davis, the decision to appear on-screen in close-cropped, curly hair was liberating and represented an important social statement.

“You’re always taught as a person of color to not like your hair,” she says. “The kinkier it is, the so-called nappier it is, the uglier it is.”

McQueen stressed that he was interested in reflecting reality. More women looked like her, he told the actress, than like the artificial and idealized images of female beauty that Hollywood frequently projects.

“We’re into a zeitgeist where people are fighting for their space to be seen,” says Davis. “People have to know that there are different types of women of color. We’re not all Foxy Brown. We’re not all brown or light-skinned beauties with a big Afro. We have the girl next door. We have the older, dark-skinned, natural-haired woman.”

“Widows,” which premieres at the Toronto International Film Festival and debuts in theaters on Nov. 16, represents other important firsts for Davis. It’s a commercial action pic from a major studio (20th Century Fox) that rises or falls on her performance, as well as a chance for the 53-year old actress to solidify her position on the A-list. Julius Tennon, Davis’ husband of 15 years and the co-founder of their production company JuVee, says the impact could be seismic.

“This could change the face of her career up to this point,” he says. “It’s a chance for Viola to be seen as the lead actor in a global movie.”

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Net-A-Porter Photoshoot

I love these beautiful images from Viola’s newest photoshoot for Net-A-Porter magazine.


Gallery Links:
Viola Davis Online > Outtakes > 2018 > 003

Strong Statements with Viola Davis

Viola is on the cover of the new Net-A-Porter Magazine.

When an actress is as straight-talking, insightful and impassioned as VIOLA DAVIS, nothing is out of bounds – as she puts it, authenticity is her rebellion. AJESH PATALAY hears from one of TV’s most candid stars about sexual liberation, the value of women of color, and her #MeToo experiences

There is no shortage of women raising their voices against abuse and injustice right now. But what a woman, and what a voice, is Viola Davis. On January 20, the Oscar-winning actress took to the stage at the Women’s March in LA to speak about rape and trafficking, and how no change is great unless it costs us something. She did the equivalent with words of reaching into our chests and tearing at our heartstrings.

And not for the first time, either. On winning an Emmy in 2015 for her role as law professor Annalise Keating in ABC’s hit series How to Get Away with Murder (the first African American ever to win in the Lead Actress category), Davis didn’t squander the moment with thank yous. Instead, she talked about the lack of opportunity for women of color, quoting her heroine Harriet Tubman, and delivered one of the most rousing speeches of the year: “The only thing that separates women of color from anyone else is opportunity. You cannot win an Emmy for roles that are simply not there. So here’s to all the writers, the awesome people that are Ben Sherwood, Paul Lee, Peter Nowalk, Shonda Rhimes – people who have redefined what it means to be beautiful, to be sexy, to be a leading woman, to be black.”

One newspaper called it “a masterclass in delivery”. But they might as well have called it a masterclass in one woman knowing exactly how she feels and not being afraid to say it. Which is how I find her, sitting on a sofa in a house in the Hollywood Hills, talking frankly about everything you’d want her to set the record straight about: #MeToo; ‘Time’s Up’; the gender pay gap; #OscarsSoWhite; and, well, the How to Get Away with Murder/Scandal crossover episode, which brings together the characters of Olivia Pope (played by Kerry Washington) and Keating for the first time ever. “I don’t know how else to describe it,” Davis says, beaming. “It felt like we were creating history. I mean, to have two really strong, well-written, well-rounded characters in the same room together, who are women of color? It’s black-girl magic at its best.”

Davis knows all too well that roles like Annalise Keating don’t come along often, “especially for a woman who looks like me,” she says. “I’m 52 and darker than a paper bag. Women who look like me are relegated to the back of the bus, auditioning for crackheads and mammas and the person with a hand on her hip who is always described as ‘sassy’ or ‘soulful’. I’ve had a 30-year career and I have rarely gotten roles that are fleshed out, even a little bit. I mean, you wouldn’t think [these characters] have a vagina. Annalise Keating has changed the game. I don’t even care if she doesn’t make sense. I love that she’s unrestricted, that every week I actually have to fight [showrunner] Peter Nowalk not to have another love scene. When does that ever happen?”

Has playing voracious Annalise changed the way she sees herself sexually? “Yes, and it’s been a painful journey,” she says, laughing, presumably because these sex scenes often take place across desks and up against walls. “It costs me something,” she continues, more earnestly, “because very rarely in my career – and in my life – have I been allowed to explore that part of myself, to be given permission to know that is an aspect of my humanity, that I desire and am desired. I always felt in playing sexuality you have to look a certain way, to be a certain size, to walk a certain way. Until I realized that what makes people lean in is when they see themselves. There’s no way I am going to believe that all women who are sexualized are size zero or two, all have straight hair, all look like sex kittens every time they go to bed and want sex from their man, all are heterosexual. I am mirroring women. I always say it is not my job to be sexy, it’s my job to be sexual. That’s the difference.”

She breaks off: “That’s my daughter, by the way.” And there, standing behind me, is a pretty girl in a blue dress. “Say hi, Gigi! I’m doing an interview.” Mother and daughter blow kisses to each other across the room, and then the six-year-old, whose name is actually Genesis, scoots off with her nanny. It’s a side to Davis I’d like to see more of, the doting mother. I’d also like to see more of the off-duty side; the Davis who throws barbecues and drinks tequila and likes hot-tubbing with her actor-producer husband, Julius Tennon. “I’m actually fun,” she cries at one point, as if to free herself from all this serious talk. But we both know she has a lot more to say, including about race.

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Esquire Photoshoot

I have added a shoot to the gallery that Viola did last year for the December issue of Essence Magazine.

Gallery Links:
Viola Davis Online > Outtakes > 2016 > 016

Outtake from 2012 Vanity Fair Shoot

I just came across an outtake from a shoot that Viola did with Octavia Spencer and Tate Taylor for the 2012 Hollywood Issue of Vanity Fair.

Gallery Links:
Viola Davis Online > Outtakes > 2012 > 016

Outtakes from Time Photoshoot

Added a beautiful outtake and two set images from the shoot that Viola recently did for Time magazine.

Gallery Links:
Viola Davis Online > Outtakes > 2017 > 010
Viola Davis Online > At The Shoots > 2017 | Time

TIME 100 Most Influential People

Viola is one of the artists featured on the cover of the TIME 100 Most Influential People issue.

I Feel Like A Total Rebel Being An Actor

Viola Davis
by Meryl Streep

When you spend your life embodying other lives, if you are successful, the one that belongs to you can silently slip behind. But Viola Davis’ hard-won, midlife rise to the very top of her profession has not led her to forget the rough trip she took getting there. And that is why she embodies for all women, but especially for women of color, the high-wire rewards of hard work and a dream, risk and faith.

Viola has carved a place for herself on the Mount Rushmore of the 21st century—new faces emerging from a neglected mountain. And when she tells the story of how she got from where she was to where she is, it is as if she is on a pilgrimage, following her own footsteps and honoring that journey. Her gifts as an artist are unassailable, undeniable, deep and rich and true. But her importance in the culture—her ability to identify it, her willingness to speak about it and take on responsibility for it—is what marks her for greatness.

To watch the video talking about the Time 100 Most Influential People go here.

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