Category: Widows

Build Series | Steve McQueen, Viola Davis, Michelle Rodriguez & Elizabeth Debicki Discuss “Widows”

From Academy Award-winning director Steve McQueen (“12 Years a Slave”) and co-writer and bestselling author Gillian Flynn (“Gone Girl”) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. “Widows” is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar winner Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.

Viola Davis: ‘I Always Want to Be a Complete Person’

Shondaland.com gives us a peek at the Widows Q&A.

In a post-screening Q+A, the cast and director of “Widows” talked collaboration, representation, and what they learned on set.

Steve McQueen’s latest effort, “Widows,” dropped onto Must See Lists late last year with little more than the reveal of its cast. After all, who wouldn’t be intrigued by a political thriller, heist, melodrama (yes, it’s all of these things) starring Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Liam Neeson, Bryan Tyree Henry, and Daniel Kaluuya. And from the deep intimacy of its opening shot, to the many sharp twists throughout, “Widows” delivers. It is, without exaggeration (or spoilers), everything one might expect from a McQueen movie that also happens to be co-written by the mystery-thriller expert, Gillian Flynn.

Meshing together low stakes local politics and high stakes action, “Widows” follows Veronica (Davis), Linda (Rodriguez), and Alice (Debicki), three women whose dead husbands leave behind a few million dollars worth of unfinished business in their wake. When the widows’ lives are threatened by a wannabe Chicago Alderman, Jamal Manning (Henry) and his brother Jatemme (Kaluuya, in easily one of the scariest performances of the year), they have to take matters into their own hands in order to survive.

We were lucky enough to attend a recent screening that concluded with a Q+A panel featuring, McQueen, Davis, Rodriguez, and Kaluuya. In the brief time they had with the audience, each artist shared what originally drew them to the project, some of the lessons they took away, and a few gems that will definitely make our second viewings (and third, and fourth — to be honest, this movie is coming for its things this awards season) that much more compelling.

Why this project, and why now?
“… It’s just a case of wanting to tell stories. It’s that simple … I wanted to put that fabric of our current political and socio-political, racial, environment into the sort of DNA of [‘Widows’]. It’s honest. It had to happen, because otherwise, it becomes just another heist story. We all know about what’s happening around us, and to sort of put that into a narrative is very important. [The difficulty in arranging] child care. Horrific sort of politicians. False prophets. It’s in our everyday.” – Steve McQueen

“I have always wanted to be in an action movie, ever since ‘Get Christy Love.’ I’ve always wanted to kick somebody’s ass, because I wanted to kick people’s ass in life. And there was something about channeling that power [while making ‘Widows’] that I did like. But I didn’t necessarily sign on to it because of the action part of it. I signed on to it because I felt that it was a complete story. And [my character Veronica] was a complete character. And actually the thing that really struck me was [that] the core of [‘Widows’] was a love story. This woman is in love with a man, [Liam Neeson], and that is usually what’s not associated with me either. I always want to be a complete person. I always feel like that’s the elusive thing when it comes to people of color, you know what I mean?” – Viola Davis

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Outtakes from British Vogue

Added some beautiful outtakes of Viola from a feature in British Vogue. The November issue featured the cast of Widows.

Meanwhile, another maverick, contributing editor and Academy Award-winner Steve McQueen, returns to cinemas with his explosive follow-up to 12 Years a Slave. Vogue meets the amazing cast of his thriller Widows; four talented women changing the face of mainstream cinema.

Gallery Links:
Viola Davis Online > Outtakes > 2018 > 011

Toronto Film Review: Viola Davis in ‘Widows’

“In “Widows,” the power of Davis’s performance is that she lets you know, in every scene, that Veronica is living in a world of treachery.”

Steve McQueen’s real-world heist movie gives Viola Davis a powerful role as a crime widow who takes cold-eyed command of her desperation.

Speaking on stage at the Toronto International Film Festival, right before the premiere of “Widows,” his first movie since “12 Years a Slave” (which was five years ago), director Steve McQueen talked about how important it was to set movies in the world of real, recognizable human beings. A lot of us would second that sentiment, yet it’s still not what you expect to hear from someone who’s introducing a heist film. The genre has been around in a major way since the early ’50s, and the template has always been this: When characters get together to plan and execute a robbery, we may see the quiet desperation of their lives, we may taste an ashy undertone of cynical “reality,” but it’s really all about the trip-wire cleverness of the crime itself. Heist movies unfold in a caper-film bubble, and that, one way or another, is their key pleasure.

But “Widows,” as McQueen implied, is another story. It’s a movie in which three women, whose husbands all perished in a robbery gone wrong, band together to steal $5 million, even though none of them has the slightest experience at acting like a criminal. And the web of dire circumstances that lead them to hatch this scheme in no mere set-up — it’s the dramatic heart of the movie. “Widows,” adapted from a British TV crime drama that was first broadcast in 1983, has a script co-written by McQueen and the novelist and screenwriter Gillian Flynn (“Gone Girl,” “Sharp Objects”), and it presents an enjoyably dark and sleazy vision of ordinary lives intertwining with the hurly-burly of street thuggery, local machine politics, and half a dozen other forms of daily corruption.

The movie, set in contemporary Chicago, opens with Veronica Rawlins (Viola Davis) and her husband, Harry (Liam Neeson), who happens to be major crook, kissing the hell out of each other in bed. The simple fact of a mixed-race marriage presented this casually is still startling to see in a mainstream movie, to the point that we can’t help but invest this passionate pair with a certain romantic idealism. But that’s snuffed pretty quickly. Their early moments are intercut with a turbulent chase, seen from the vantage of a getaway van with its back doors banging open, that ends with Harry and his crew being fired on by the police, until the van explodes into flames, killing all the men onboard. So much for domestic bliss.

Veronica is suddenly a widow. More than that, she’s a widow whose husband left her owing $2 million. That’s how much he stole from Jamal Manning (Brian Tyree Henry), who’s running for alderman of his ward, but he’s also a strong-arm crook who demands that Veronica liquidate her assets, including the sprawling penthouse she lives in, to pay him back.

Viola Davis’s commanding performance roots this scenario in icy fear and shock. Veronica can’t believe what’s happened to her (overnight, she has lost everything), and her eyes tell you that she knows it’s just going to get worse. She keeps having flashbacks to her life with Harry, including one where they nuzzle to Nina Simone singing “Wild Is the Wind.” It’s hard not to notice that Davis, her hair cut short, her eyes beams of fury, would be an ideal actress to portray Nina Simone. She has that kind of force.

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Viola & Widows at the Toronto Film Festival

Viola has been taking Toronto by storm this past weekend as she publicizes her new film Widows. She attended two press conferences and a premiere with her cast mates.


Gallery Links:
Viola Davis Online > 2018 > September 8 | Widows Press Conference in Toronto
Viola Davis Online > 2018 > September 8 | Toronto Film Festival – Widows Premiere
Viola Davis Online > 2018 > September 9 | Toronto Film Festival – Widows Press Conference

Viola Davis Knows What’s Wrong With Hollywood… and How to Fix It

Viola is featured on the newest issue of Variety magazine. She talks about her new film Widows that is premiering at the Toronto Film Festival, the Hollywood Pay Gap, and other issues that she has faced in Hollywood.

It was a familiar dilemma for Viola Davis. What to do with her hair?

The star of the upcoming film “Widows” needed to know what kind of wig or extensions she should wear to play Veronica Rawlins, the leader of an unlikely band of robbers scrambling to pull off a dangerous heist. Director Steve McQueen’s answer shocked the Emmy-, Tony- and Oscar-winning actress.

“I said, ‘Your own hair is beautiful — just wear it that way,’” recalls McQueen. “Veronica is a wash-and-go kind of girl.”

For Davis, the decision to appear on-screen in close-cropped, curly hair was liberating and represented an important social statement.

“You’re always taught as a person of color to not like your hair,” she says. “The kinkier it is, the so-called nappier it is, the uglier it is.”

McQueen stressed that he was interested in reflecting reality. More women looked like her, he told the actress, than like the artificial and idealized images of female beauty that Hollywood frequently projects.

“We’re into a zeitgeist where people are fighting for their space to be seen,” says Davis. “People have to know that there are different types of women of color. We’re not all Foxy Brown. We’re not all brown or light-skinned beauties with a big Afro. We have the girl next door. We have the older, dark-skinned, natural-haired woman.”

“Widows,” which premieres at the Toronto International Film Festival and debuts in theaters on Nov. 16, represents other important firsts for Davis. It’s a commercial action pic from a major studio (20th Century Fox) that rises or falls on her performance, as well as a chance for the 53-year old actress to solidify her position on the A-list. Julius Tennon, Davis’ husband of 15 years and the co-founder of their production company JuVee, says the impact could be seismic.

“This could change the face of her career up to this point,” he says. “It’s a chance for Viola to be seen as the lead actor in a global movie.”

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New Widows Trailer

A new trailer has been released for Viola’s film Widows! Check it out!

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